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Movement Training for Actors


Movement Training for Actors

Paperback by Snow, Jackie (Senior Lecturer, Manchester School of Art)

Movement Training for Actors

£36.99

ISBN:
9781408128572
Publication Date:
6 Dec 2012
Language:
English
Publisher:
Bloomsbury Publishing PLC
Imprint:
Methuen Drama
Pages:
208 pages
Format:
Paperback
For delivery:
Estimated despatch 22 - 23 May 2024
Movement Training for Actors

Description

"This book vividly captures vital and imaginative lessons from one of the most influential and joyous traditions of contemporary actor training. Any actor or teacher, who is devoted to the transformational power of the theatre, will want to return to these pages again and again, finding in them not only the work to be done, but also the inspiration to do it." James Bundy - Dean, Yale School of Drama; Artistic Director, Yale Repertory Theatre Movement training techniques allow actors to acquire the physical body language and non-verbal skills to clearly express the ideas and emotions of their characters. The techniques contained in this book help actors to develop awareness of their own natural posture, walk and rhythm, release the physical imagination and transform into the characters they are portraying, on stage, in film or on television. Movement Training for Actors provides a practical workbook approach to the core fundamentals of movement, fusing together the work of the key practitioners: Sigurd Leeder, Kurt Jooss, Rudolf Laban, Trish Arnold, Litz Pisk, F. M. Alexander, Moshé Feldenkrais, Jerzy Growtowski, Jacques Lecoq and Belinda Quirey. Chapters include Games, Pure Movement, Historical Dance, Acrobatics and Animal Study. The book is illustrated with photographs throughout and contains a DVD featuring over an hour of movement exercises further demonstrating the techniques. Movement Training for Actors is a masterclass on movement written by experienced coach, Jackie Snow and a culmination of her many years of teaching and coaching professionals. The highly practical approach will suit actors of all abilities as well as serving as an inspirational teaching guide.

Contents

Preface by Michael Gaunt Introduction Part 1: The Universal State 1) The universal state for the group 2) Space, dimension and rhythm 3) The universal state for the individual 4) Pure movement to achieve neutral Part 2: Movements with Imagination at the Heart of Pure Movement 5) Core Movement exercises 6) Dynamic movement: The Cat 7) Acrobatics and tumbling for the acting student 8) Neutral mask 9) Character mask Part 3: Body Awareness, Trust and Sensitivity 10) Exploration of body and mind 11) Massage and relaxation Part 4: Observation and Imagination 12) Observation 13) Animal study 14) Elements Part 5: Imagination and Transformation 15) The Seven Deadly Sins 16) Explorative movement 17) Period movement 18) Period dance Conclusion by Robert Price A note on Trish Arnold Further reading Index

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