This book examines the socio-political and theatrical conditions that heralded the shift from the margins to the mainstream for black British Writers, through analysis of the social issues portrayed in plays by Kwame Kwei-Armah, debbie tucker green, Roy Williams, and Bola Agbaje.
PART I: CONTEXTS 1. Beyond Identity Politics: Black British Playwrights on the Mainstream PART II: PLAYWRIGHTS, PLAYS, THEMES 2. Street Life: Black Masculinity and Youth Violence in Roy Williams' 'Urban' Plays 3. Past and Present: Legacies of Slavery in Kwame Kwei-Armah's National Theatre Triptych 4. Breaking the Silence: Women's Solidarity in debbie tucker green's Abuse and Trauma Plays 5. Playing the Game: Race Relations, Racism, and Nation in Roy Williams' Sports Plays 6. Around the World: African and Caribbean Human Rights in debbie tucker green's Global Plays 7. A Slice-of-Life: British-African Social Comedy in Bola Agbaje's Council Estate Plays 8. State-of-the-Nation? Black British Playwrights at the Tricycle Theatre PART III: CONCLUSIONS 9. Social Issues and Social Debates: Snapshots, Headlines, Conclusions
