Contemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.
Acknowledgements Introduction Part One: Sign Chapter One: Listening to Signs in Post-Schaefferian Electroacoustic music Chapter Two: Material As Sign In Electronica Part Two: Object Chapter Three: Minimal Objects In Microsound Chapter Four: Maximal Objects in Drone Music, Dub Techno, and Noise Part Three: Situation Chapter Five: Site in Ambient, Soundscape, and Field Recordings Chapter Six: Genre, Experimentalism, and the Musical Frame Conclusion Notes Glossary Bibliography Discography
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